What's Happening
News, updates, and insight from the studio and the label. Follow us on Instagram for daily content.
A verified, free list of real music grants for U.S. artists — funding for justice-impacted artists, emergency relief funds, and open grants. We flag the dead and region-locked ones the viral lists push. Free printable PDF inside.
See the grants + download the guide →Our Bay Area culture magazine — rap, food, independent business, physical media, and the history that made it. Get the first issue free, get featured, or advertise your business.
Read 41510 Magazine →There are nearly two million people incarcerated in U.S. prisons — a music audience almost no independent artist is reaching. Here's how prison music distribution works on JPay & GTL, how you own your music, the rules that get releases blocked, and the fastest way in.
Read the full story →If someone you love is locked up and makes real music, you're the one who can get it released, heard on the tablets, and earning. Here's the honest guide for the family on the outside — what's real, who does the work, who keeps the rights, and how the money comes.
Read the full story →Securus runs the tablets in a lot of U.S. facilities — and there's a real paying audience inside. Here's how music actually lands in the Securus media store, who can deliver to it, what you get paid, and how Securus relates to JPay.
Read the full story →In practice, no — TuneCore, DistroKid and CD Baby reach Spotify and Apple, not the JPay, Securus, GTL/ViaPath or federal prison tablets. Here's why mainstream distributors can't get you inside, and the route that actually does.
Read the full story →Yes — but not on Spotify. Here's how prison tablets from JPay, Securus and ViaPath actually let people buy and play music on a closed network — and how an artist can reach that audience.
Read the full story →Federal prisons run on a different, more gated system than state kiosks. Here's how the federal BOP music catalog works, who supplies it, why TRULINCS is harder to reach, and a realistic plan for indie artists.
Read the full story →No — DistroKid doesn't reach JPay, GTL/ViaPath or the federal prison kiosks. Here's why it can't get you inside, and what actually does.
Read the full story →ViaPath is GTL's new name. Here's how the prison streaming service works, how to get your music on the tablets, and how it pays — you keep your masters.
Read the full story →Releases get silently blocked on JPay & GTL — and you never find out why. Here's exactly what trips the content filter, and how to pass without changing your audio.
Read the full story →JPay is one of the biggest music stores no independent artist is using. Here's how JPay music distribution actually works, who can deliver to it (and who can't), what you get paid, and the content rules that quietly block most releases.
Read the full story →If JPay is the iTunes of prison music, GTL is the Spotify. Here's how GTL (now ViaPath) music streaming works inside, how it pays, and how to get your music on it — alongside JPay, in one move.
Read the full story →Done Deal Digital is expanding past pure music production — adding mentoring, songwriting, script writing, and editing to the roster. The mission stays the same: full-service support for independent artists who want to do it right, without a major label calling the shots.
Read the full story →The catalog is building. Multiple projects from Done Deal Digital artists are in production right now and lined up for release across 2025 and 2026 — spanning music, visual content, storytelling, and independent creative campaigns.
Read the full story →Done Deal Digital LLC was built on three decades of Bay Area hip-hop experience — from the 1995 debut "Down 4 the Cause" to the modern, fully independent operation today. That history shapes how we work with artists now: hands-on, no shortcuts, deeply connected to the culture.
Read the full story →Ready to build your brand with Done Deal Digital?
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