Free Resources · Royalty Matching

One Wrong Character.
Your Whole Check.

The code stamped on your recording is what the money follows. Flip a single letter of it, and your streams route to a fingerprint that isn't quite yours — and the money hangs in the middle. Here's how, with a real one from our own catalog.

Created by Feady Crocka

Every dollar in music chases a code — not your name, not your cover art, a code. The one on your recording is the ISRC: the fingerprint that tells streaming and SoundExchange which master just got played. Machines read that string, character for character. They don't recognize your voice. If the code on the report doesn't equal the code on your registration, they call it two different recordings — and your money goes unmatched.

Watch what one letter does.
A real one · our own catalog

We almost "fixed" a code that was never broken

Our record "Street Life" is live under OZATW1938364. Someone looked at that O, decided it was a mistyped Q, and filed to change it. That would have been the mistake. Tap the character to see what a one-letter "correction" actually does.

The ISRC on the live recording
OZATW1938364
▶ The plays Your claim (SoundExchange / PRO)
Matched — OZATW1938364 is the code the distributor actually shipped, so it's the code the plays follow. The claim sits on the same string. The money routes home.
Know the difference

Three codes, three jobs

Before you fix anything, know which code does what. Mixing them up is half the leak.

ISRC the recording streaming + SoundExchange ISWC the song PRO + publishing UPC the release the product barcode One release (UPC) → holds recordings (ISRC) → each a version of a song (ISWC).
Same song can live on ten recordings — one ISWC, ten ISRCs. The ISRC is the one streaming money follows, so that's the one a typo hurts most.
The fix

Point every system at the same real code

Here's the part that trips people up: you don't argue with the platform about which code is "correct." The ISRC that's actually on the live recording is the one the plays follow — the DSPs route to the string embedded in the file they're serving. So the move is to make every collection system carry that same real string, character for character.

Open your distributor dashboard and read the exact ISRC on each recording. Then check it against SoundExchange and your PRO. Not close — identical. And put a valid, correct ISRC on everything you upload from here forward. One recording, one code, matched everywhere. Then the plays and the claim finally sit on top of each other, and the money moves.

The line that keeps it clean

This is about lining up your own recording's real code across systems — nothing more. If a code is tangled because someone else registered your recording as theirs, that's not a typo fix — that's a dispute, and a dispute is a music attorney's job. (Education only — not legal, financial, or tax advice; policies and laws vary.)

Find your leak

Is your ISRC matched everywhere?

Run the free Royalty Match Checkup and we'll show you where your codes, titles, and registrations don't line up — or have Done Deal Digital run the full match for you.

No promises about numbers. Just clean data across every system, so what you're owed can find you.