★ Free Preview ★

Sell Your
Music in
Prisons

The artist's guide to getting on JPAY, GTL & the federal prison network.

There's a paying audience of nearly two million listeners that almost no independent artist is reaching. This free preview shows you the market, the money, and the rules. The full playbook shows you exactly how to get in.

A Done Deal Digital Field Guide

DONE DEAL DIGITAL
Free Preview · Edition 2.0 · Verified June 2026

Free Preview

The market nobody's working

Incarcerated people buy music — on tablets and kiosks inside facilities — and they pay iTunes-level prices for it. It's a real, paying audience with almost zero independent competition.

The catch: getting your music accepted onto the prison kiosks is a maze of strict content filters, secret rules, and shifting distributor pipelines. One wrong word in a track title and your whole release is silently blocked.

This free preview gives you the three things that decide whether it's worth your time:

① The market

What JPAY, GTL & TRULINCS are, and how big the audience really is.

② The money

What buyers pay per album and per track — who covers the facility's fees, and what stays yours.

③ The rulebook

The compliance rules that decide if your release gets in or gets blocked — the first two, free.

What's NOT in this preview

The full step-by-step submission walkthroughs, the verified distributor pipeline map, artwork specs, and the FAQ — that's the paid guide. This preview is the part that tells you whether to bother. (Spoiler: most artists should.)

Preview · Part 1

How the Prison Music Kiosk Works

Across the U.S., correctional facilities sell music through three closed networks. Your release has to clear each one's content filter before a single copy can sell inside.

JPAY

À-la-carte downloads on prison tablets/kiosks. Owned by Securus/Aventiv. Catalog tops 10 million tracks, updated nightly.

GTL / ViaPath

Subscription streaming curated for corrections (GTL rebranded to ViaPath in 2022).

TRULINCS

The Federal Bureau of Prisons system — reached through its own pipeline.

The reach

JPay alone serves 1.6 million+ incarcerated people across 30+ states. Add GTL/ViaPath and you're looking at the large majority of U.S. facilities.

The good news

Your actual audio can contain profanity. Only the visible details around your release have to be clean — the music itself stays exactly as you made it. That distinction is the whole game (Part 3).

✔ Independently verified against the platforms' own public store documentation. The full guide shows you exactly how to confirm your release is live — from the outside, before you spend a dime.

Preview · Part 2

How You Get Paid

The economics are simple and artist-friendly — buyers pay iTunes-style prices, and you keep your masters.

What sellsWhat buyers pay
Full albumiTunes-style album price
Individual trackiTunes-style track price
What stays yoursYour masters & publishing

The facility adds its own fees on top, paid by the buyer at purchase — those don't come out of your cut. What you take home depends on the path you pick, and your exact terms go in writing before you pay.

Why this is the opportunity

a single around $1.99, bought outright, and you're selling into an audience with limited entertainment options and almost no competition from other independents. One placed album can quietly earn for years.

Prices shown are the published kiosk-program pricing for buyers; exact artist terms vary by route and go in writing before you pay. The full guide breaks down each route's actual terms.

Preview · Part 3 · The part that gets releases blocked

The Compliance Rulebook

Get one of these wrong and your release is silently rejected — no warning, no refund of your time. The first two are free, right here. The other four — and the one-click mistake behind the #1 rejection — are in the guide.

1

Audio can be explicit — metadata cannot

Songs may contain profanity. But no curse words in track titles, the artist name, or the artwork.

2

No "security risk" language in metadata

Keep titles clear of violence, gang, and weapon references. Words that commonly get a release blocked:

GunKnifeBombGangKillMurderDeathMafia

🔒

Track titles: the exact format the kiosks require

The naming rules that pass — and the everyday title habits that get a release silently rejected. Full detail in the guide.

🔒

The artist-name rule that quietly kills your future releases

Get this wrong once and it costs you on every drop after — most artists never see it coming. Full detail in the guide.

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The ownership rule that can freeze your account

One overlooked source can block your account and lose pending sales. Full detail in the guide.

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Artwork: the one badge that fails clean covers instantly

The exact specs — plus the single logo that gets otherwise-clean art rejected. Full detail in the guide.

🔒 The #1 rejection is a one-click mistake

There's a single toggle your distributor asks about that silently blocks your release even when your audio is clean. Answer it wrong and you're done before you start — the full guide shows you exactly how to handle it.

🔒

The free preview ends here

You know the market, the money, and the rules.
Now get the part that actually gets you in.

The full Sell Your Music in Prisons playbook is the complete, step-by-step system — verified June 2026 and kept current for life.

Full step-by-step walkthroughs for every distribution route (with the exact toggles to flip and questions to answer)
The verified pipeline map — which distributor actually reaches JPAY, GTL & TRULINCS right now, and the store names to look for
Artwork specs & the full compliance system so your release clears the filter the first time
FAQ + pre-submission checklist — the exact list to run before you pay any submission fee
Lifetime free updates. This world changes constantly; when it does, you get the new edition free — forever
$97 $300
One-time. Lifetime updates included. The "official" version of this guide sells elsewhere for $300.

Get the Full Playbook →

Instant download · PDF · works on any device

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Drop your email and we'll send occasional tips on getting your music in prisons — plus a heads-up when the distribution routes change.

Don't want to do it yourself?

Let Done Deal Digital handle it for you. The distributor pipelines shift constantly — store names change, brands get bought, routes open and close. Most artists don't want to babysit that. We'll prep your metadata to spec, route your release to the right kiosk pipeline, and keep it compliant — so you just make music and collect. See the done-for-you service →